Welcome back to part three of this guide. We’ve already covered a deep overview of the Mamiya RZ67 Professional system as well as a look at the system’s film holder options. For part three, I’ll be ...

Some people don’t print their colour films in the darkroom because they’re scared about the complexity, but it’s not as horrible as you might think. Aside from the need for a dedicated colour ...

In high school, I bought myself a Minolta Maxxum 3000i with some off-brand lenses. It worked great as a point and shoot on drugstore Fuji film. As I recall, there was no option to control aperture or ...

The Pentacon Six TL is a phenomenon of a camera. When I first got mine, I almost fell in love with it, because I liked the idea of shooting 6×6 and was fascinated by the bulky yet somehow elegant ...

Over the past few years, more people than I can count have asked me what “the best” film, film cameras, lenses, accessories and all manner of other weird and wonderful things to do with film ...

The Olympus 35 SP holds a SPecial and somewhat privileged status in my pretty modest camera collection. For around seven months it has been almost the only 35mm camera I have used (the main exception ...

In 2013 I got my first Polaroid camera, and since then I have been journeying into the world of instant film. From the inception of the Impossible Project to its recent merger, I eagerly followed the ...

There is a “rule” for shooting expired film. This “rule” states that when shooting expired film, one should add one stop of exposure per decade it has been expired. The rule is wrong and by blindly ...

When it comes to autofocusing manual lenses on film cameras there is really only one option: the unique and relatively short-lived CONTAX AX. Chunky sibling of the CONTAX RX and RTS cameras, the AX ...

After graduating from college in 2020 my parents gave me a Hasselblad 500CM as a graduation present. I had been wishing for a Hasselblad since learning about them. As a quick introduction, Hasselblad ...

In June 2015 I was lucky enough to source a fresh 300ft short-end of Kodak’s 250D (Vision 3 5207) motion picture stock in 65mm format. You probably already know, I really, really like shooting this ...

Welcome to part two of this short but exhaustive series of articles on the Mamiya RZ67 Professional camera system. In part one I gave you a deep overview of the RZ67 system; its history, breadth, ...